Space City Pro was built by two operators who each carry fifteen-plus years on headset.
The co-founders came up through live production: festival stages, broadcast TV, and large-format events where a bad cue lands in front of tens of thousands of people. Both still executive-produce.
Brandon built his production chops across fifteen-plus years of festival stages, broadcast TV, and 10,000-seat live-event production before founding Space City Pro. He executive-produces on flagship engagements. Anything where the room holds more than 1,500 people or the CEO is on stage lands on his desk.
Based in Greater Houston. Reach him directly at [email protected].
Flagship engagementsChandler’s background is in large-format live-event technical operations. Before Space City Pro, he built and ran AV operations for a 15,000-seat multi-site organization across Texas. That experience is what makes a technically complex general session feel completely routine. He brings that same discipline to the production and technical leadership of every engagement.
Based in The Woodlands, TX. Reach him at [email protected].
Production · technical leadershipOne crew, every discipline the room needs.
We field the crew to the room, not from a rate card. The disciplines below travel as one team, under one producer, on one comm loop, in every market we produce. Every lead is named on your run of show.
- 01 · PRODUCEExecutive producersOwn the engagement end to end. The name on the contract is the voice on the headset.
- 02 · CALLShow callers & stage managersRun the room in real time: cues, walk-ons, and the calm voice when the CEO improvises.
- 03 · ENGINEERTechnical directorsDraft the signal flow, set the failover plan, and answer for every system in the building.
- 04 · BROADCASTBroadcast & stream engineersMulti-camera direction, redundant paths, and platform handoff for every remote seat.
- 05 · AUDIOA1s, A2s & RF coordinatorsTune the room before doors and hold the spectrum clean through the last word.
- 06 · LIGHTLighting designers & programmersDesign to the content arc and program the desk that carries it, look by look.
- 07 · VIDEOLED & video engineersWall geometry, processor mapping, and pixel-perfect content on every surface.
- 08 · CAPTURECamera operatorsJib, pedestal, and handheld coverage that reads like television, because it is.
- 09 · PLAYBACKMedia server & graphics operatorsKeynotes, lower-thirds, and scenic video, run to the frame from the video village.
- 10 · BUILDScenic fabricators & carpentersCustom stages and dimensional scenic, built in the shop before they roll to your venue.
- 11 · RIGRiggers & crew chiefsFlown elements engineered and executed with ETCP-certified riggers, every time.
- 12 · DESIGNContent, motion & print designersEvent identities, keynote packages, animation, and signage from one design file.
The producer who quotes your engagement is the producer who runs it. Every discipline on this page answers to that one name — on the contract, in the room, and in the post-event numbers. Accountability is never a question.
Start a scope conversation →Your show is built twice: once in our warehouse, once in your room.
Rigs are assembled, tested, and torn back down in the shop before load-out, so the build in your venue is a rebuild, not an experiment.
Meet your producer
before you sign anything.
The senior producer who scopes your program is the one who runs it, which makes the first call the one that matters. Tell us the date, the room, and what’s on the line. We’ll come back with a scoped recommendation and a budget range against our published tiers.