Our founders are on the contract. Our crew is on the call sheet.
The contract names your producer before the deposit clears, and the person on that line is the one on headset on show night. Behind them sits a fixed bench of role leads — our core team, all in Houston, all on payroll.
Space City Pro was built by two operators who each carry fifteen-plus years on headset.
The co-founders came up through live production — festival stages, broadcast TV, and large-format events where a bad cue lands in front of tens of thousands of people. Both still executive-produce.
Brandon built his production chops across fifteen-plus years of festival stages, broadcast TV, and 10,000-seat live-event production before founding Space City Pro. He executive-produces on flagship engagements. Anything where the room holds more than 1,500 people or the CEO is on stage lands on his desk.
Based in Greater Houston. Reach him directly at [email protected].
Flagship engagementsChandler’s background is in large-format live-event technical operations. Before Space City Pro, he built and ran AV operations for a 15,000-seat multi-site organization across Texas. That experience is what makes a technically complex general session feel completely routine. He brings that same discipline to the production and technical leadership of every SCP engagement.
Based in The Woodlands, TX. Reach him at [email protected].
Production · technical leadershipThis is the team you’ll actually be on calls with.
The role leads below own the technical and commercial sides of your engagement, and they speak here in their own words. We name our founders publicly and keep crew names for the call sheet; you’ll have every lead’s name and direct line before the first deposit clears. Your first call is always with one of our senior producers, and that producer stays on the engagement through strike.
“I run the technical side: video, LED, and broadcast infrastructure. I’m in comms on show day.”
“Audio is the last thing anyone notices when it’s right and the first when it’s wrong. That’s my job.”
“Lighting design is how we tell your story without words, and I’ve been telling stories with gels for twenty years.”
“Content design, keynote packages, walk-ins, scenic video, social cut-downs: all of it lives in my team. We make the show look like a movie.”
“Change orders, anything that needs to move through your vendor desk: you’ll hear from me first.”
Our core team works here full-time. These seven are the ones you’ll meet most.
Every engagement gets a named producer on the contract. Behind that producer is a fixed bench of role leads: the same seven seats on every show. You’ll know who owns what, by name, before the first deposit clears.
A decade-plus on the headset. Lead on dozens of flagship engagements.
Owns the engagement end to end. Their name is on the contract, and theirs is the number you call at 11:43 PM the night before doors. They build the run of show, set the budget guardrails, and answer for everything that happens in the room.
Fortune 500 user conf · 4 stages · 6,000 attendeesMultiple years in the chair. Lead on dozens of broadcast-grade rooms.
Owns system design and redundancy. Drafts the signal flow, sets the failover plan, calls the technical show. If the keynote drops a feed, this seat is the reason you never noticed.
Dual-redundant CEO town hall · 12-cameraCut their teeth in live TV. Lead on dozens of hybrid engagements.
Owns the broadcast side of any hybrid program: multi-camera direction, streaming infrastructure, ISO records, and platform handoff. Every remote attendee gets treated like a paying seat in row two.
Investor day · 1,800 in-room · 14,000 streamingYears in scenic carpentry before ever touching a pixel pitch. Lead on dozens of LED builds.
Owns the room you walk into: scenic design, LED wall geometry, processor mapping, and content integration. The stage gets drafted in CAD and rebuilt in the warehouse before it ever rolls to your venue.
96-foot curved LED · energy general sessionLong career at FOH. Lead on dozens of large-format rooms.
Owns sound design, RF coordination, and FOH discipline. Tunes the room before anyone walks in, watches the spectrum during the show, and never blames the venue.
38 channels wireless · zero dropouts · 3 daysYears on the cans. Has called dozens of general sessions live.
Calls the show in real time off the run of show: lights, video, audio, stage moves, walk-on cues. When your CEO improvises, this is the calm voice in the headset that keeps the next ten cues on rails.
4-hour general session · 312 cues · no missed markYears client-side at a Fortune 500 marketing team. Lead on dozens of multi-year accounts.
Owns the relationship from the first scoping call through the post-event deck. Procurement runs on our clock, not yours: change orders and the back-office paperwork all route through this seat, so the producer stays focused on the show.
Three-year program of record · energy majorThe producer who quotes your engagement is the producer who runs it. The seven seats above are the bench behind that producer: the same seven on every show, named on the run of show before a single case rolls. There’s no bait-and-switch and no junior pass-off after signature.
Start a scope conversation →We keep a full-time production team in Houston, ready for every engagement.
We run a full-time Houston production team so we can promise the same caliber on every engagement.
Meet your producer
before you sign anything.
The producer who quotes your engagement is the one who runs it, which makes the first call the one that matters. Tell us the date, the room, and what’s on the line. We’ll come back with a scoped recommendation and a budget range against our published tiers.