The LED wall the camera cut never beats.
We design the wall around the room and the run-of-show, then engineer it in-house, content workflow, switching, scenic video, and the camera-cut sweep, so the broadcast feed your CMO is watching from the front row reads clean from the first cue. If you've been quoted by a Houston staging shop or an out-of-state production company, the line items don't show what we own. Owned panels, owned processing, owned team.
Owned fleet, inspected every load-out.
We own our LED. That means we know the history of every panel in your wall, we rehearse with the same gear we ship, and we don't inherit a sub-rental's failure rate on show day.
2.6mm Indoor LED
Camera-safe flagship ballroom spec, the pitch keynote IMAG cuts to without the ballroom audience seeing pixels. 4K cameras read it clean.
3.9mm Indoor LED
The corporate ballroom default. Reads clean from 20 feet back; engineered for the room, not the loading dock.
5.9mm Outdoor LED
IP-rated panels with wind-rated rigging. Plant openings, street activations, outdoor keynotes.
Ross Carbonite + Barco E2
Redundant switching and scaling. Disguise media servers for scenic video on dual drives.
In-house motion team, not a sub-contracted one-off.
A full-time motion design team builds your keynote package, chapter slides, walk-ins, transitions, sponsor stingers, and scenic video, all tuned to the exact pixel count of the wall they'll play on.
- Keynote graphics package, chapter cards, lower-thirds, quote frames, speaker transitions, tuned to your brand system.
- Walk-in and countdown content, ambient branded video for the 30 minutes before doors open.
- Sponsor and partner stingers, short branded transitions that give sponsors airtime without interrupting the program.
- Scenic video design, ambient video that sits behind the stage and shifts through the arc of the program.
- Same-day cut-downs, 30 and 60-second social clips edited live off the show feed, delivered to marketing before the day is over.
"Camera-safe", what it actually means.
When cameras shoot an LED wall, the refresh rate of the panels and the shutter speed of the cameras interact, and if they're fighting, the wall reads as scan lines, rolling bars or strobe on every camera cut.
Camera-safe panels run refresh rates (typically 3,840Hz+) that sync cleanly with standard camera shutter speeds. Our full indoor 2.6mm and 3.9mm fleet is camera-safe. Before doors open, our video team does a live camera sweep across every angle the show will cut to, if anything scan-lines or beats, we fix it.