One producer travels with your program, and the standard doesn’t change. We’ve delivered in 35+ US cities.
We run our core crew and warehouse out of Houston, and we’ve delivered in 35+ US cities and across the Americas, EMEA, and APAC, with the same Space City crew standard in every one of them. ATA Carnet-cleared freight travels with the show, and one Producer of Record, one senior producer named on your contract, is accountable for all of it, whether the stage is in New York or Riyadh.
We deliver in three theaters, and your senior producer is on every flight.
Most production vendors hand you a local sub and a different name at every city. We hand you one senior producer: scoped in Houston, on the contract, on the flight, and on it through strike no matter which theater the show lands in.
Americas
Our core team and our Houston warehouse, one crew standard from NYC to São Paulo, and USMCA-cleared freight south of the border.
EMEA
London anchor, Dubai for MENA. Project partners in Paris, Frankfurt, Amsterdam, Madrid, Milan. ATA Carnet-cleared freight, GDPR-native data capture, GBP / EUR / AED billing.
APAC
Singapore anchors APAC delivery. Tokyo, Hong Kong, Sydney, Seoul project partners. Mandarin, Japanese, Korean interpreter booths. Producer rotation runs on APAC business hours, so your calls don’t land at midnight.
These are the US markets we deliver in and know on the ground.
The crew, the warehouse, and the flagship inventory behind your show are in-house: one accountable team, no third-party markup buried in the bid. The producer who scopes your event walks the venue early, with the freight window and the union call already mapped. And in every market the crew is Space City: your producer and crew travel with the show.
Four hubs anchor our international delivery, and we reach every market beyond them.
London, Dubai, Singapore, and Toronto anchor the regions. ATA Carnet-cleared freight and a Houston producer who travels with the show reach every project-partner market beyond them. Multi-currency billing, clean paperwork, and multilingual broadcast are built in, not line-items you discover on the change-order.
Yes. Your producer, lead crew, and flagship inventory travel wherever the program lands, and the same advance checklist runs wherever the program lands. The model doesn’t change with the zip code.
Custom work has no price list. We publish our ranges anyway, and every market scopes against the same five tiers, $25K to $1M+: see our event production ranges. Multi-city programs get one master scope with per-market line items for freight, crew, and travel, and one invoice or per-market billing; your finance team’s call. A scoping call turns the range into a number they can review.
No. Your named crew travels with the show, and everyone on the dock answers to your producer. You will never discover a logo you don’t recognize on the dock.
Multi-market program on the calendar?
We already know the routing.
ATA Carnet freight, multi-currency billing, and on-the-ground crews in every hub above are standing agreements, not promises. One scoping call returns a routing plan your finance and legal teams can actually use, inside 72 hours. An RFP path is available on request. The only open question is which markets.